{"id":237,"date":"2025-10-06T13:14:40","date_gmt":"2025-10-06T11:14:40","guid":{"rendered":"https:\/\/archivista.info\/?page_id=237"},"modified":"2025-10-17T16:19:26","modified_gmt":"2025-10-17T14:19:26","slug":"labarch20","status":"publish","type":"page","link":"https:\/\/archivista.info\/index.php\/labarch20\/","title":{"rendered":"labarch20"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide is-vertical is-content-justification-stretch is-layout-flex wp-container-core-group-is-layout-a42ae012 wp-block-group-is-layout-flex\">\n<h2 class=\"wp-block-heading has-text-align-center\">articoli 2020<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" src=\"https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/cropped-cropped-PROVA_LOGO_SITO-1-scaled-1-1200x628-copia-1024x536.jpg\" alt=\"\" class=\"wp-image-399\" style=\"width:210px;height:auto\" srcset=\"https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/cropped-cropped-PROVA_LOGO_SITO-1-scaled-1-1200x628-copia-1024x536.jpg 1024w, https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/cropped-cropped-PROVA_LOGO_SITO-1-scaled-1-1200x628-copia-300x157.jpg 300w, https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/cropped-cropped-PROVA_LOGO_SITO-1-scaled-1-1200x628-copia-768x402.jpg 768w, https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/cropped-cropped-PROVA_LOGO_SITO-1-scaled-1-1200x628-copia.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Francesco Guercio, <a href=\"https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/Introduzione.pdf\">Introduzione <\/a>&#8211; R. Sch\u00fcrmann, <em>Le Origini<\/em><\/p>\n\n\n\n<p>Edoardo Fabbri, <em>L&#8217;architettura come arch\u00e9<\/em>. <a href=\"https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/Introduzione-.pdf\">Introduzione<\/a><\/p>\n\n\n\n<p>Federico della Sala, <em><a href=\"https:\/\/archivista.info\/wp-content\/uploads\/2025\/10\/La-puntura-dello-scorpione.pdf\">La puntura dello scorpione. Governo dell&#8217;asfissia e politica del respiro<\/a><\/em><\/p>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>articoli 2020 Francesco Guercio, Introduzione &#8211; R. Sch\u00fcrmann, Le Origini Edoardo Fabbri, L&#8217;architettura come arch\u00e9. Introduzione Federico della Sala, La puntura dello scorpione. Governo dell&#8217;asfissia e politica del respiro<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":17,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-237","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/pages\/237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/comments?post=237"}],"version-history":[{"count":0,"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/pages\/237\/revisions"}],"wp:attachment":[{"href":"https:\/\/archivista.info\/index.php\/wp-json\/wp\/v2\/media?parent=237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}